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Thou Great Redeemer Dying Lamb We Love

Verse 1

THOU great Redeemer, dying Lamb, We love to hear of Thee; No music’s like Thy charming name, Nor half so sweet can be.

Verse 2

Our Jesus shall be still our theme While in this world we stay: We’ll sing our Jesu’s lovely name When all things else decay.

Verse 3

When we appear in yonder cloud, With all that favoured throng, Then will we sing more sweet, more loud, And Christ shall be our song.

Background: Thou Great Redeemer Dying Lamb We Love

The hymn "Thou Great Redeemer, Dying Lamb" is a powerful and deeply Christ-centered hymn with a fascinating history rooted in the early evangelical revival of the 18th century. Here's a breakdown of its origins and significance: 1. **Author:** The hymn was written by **John Cennick (1718-1755)**. * Cennick was an interesting figure in the 18th-century revival. He was initially associated with John and Charles Wesley, then with George Whitefield (the Calvinistic Methodist leader), and eventually became a prominent Moravian minister. This journey exposed him to various streams of evangelical thought, all of which placed a strong emphasis on Christ's atoning work. 2. **Date:** Cennick likely wrote the hymn around **1743**. It first appeared in his collection, "Sacred Hymns for the Children of God, in the Days of Their Pilgrimage," published in Dublin in 1743. 3. **Context and Theme:** * **Moravian Influence:** The hymn strongly reflects the "Blood and Wounds" theology prevalent among the Moravians, who focused intensely on the suffering and sacrifice of Jesus Christ as the "Lamb of God." This was not morbid, but rather a profound expression of gratitude and love for the cost of redemption. * **Evangelical Revival:** It emerged during a period of immense spiritual fervor in Britain, where preachers like the Wesleys and Whitefield were stirring thousands to a personal faith in Christ. Hymns played a crucial role in expressing and solidifying the theological truths being preached. * **Atonement and Redemption:** The central theme is the atoning sacrifice of Christ – His death on the cross as the means by which humanity is redeemed from sin. It's a hymn of profound adoration and gratitude for this ultimate act of love. * **Personal Devotion:** The language is very direct and personal ("we love," "our peace," "our God"), inviting the worshiper into an intimate relationship with the crucified and risen Lord. 4. **Lyrical Analysis:** The hymn typically has around 6-8 stanzas. Here's the first stanza, which immediately sets the tone: > Thou great Redeemer, dying Lamb, > We love to hear of Thee; > No music's like Thy charming Name, > Nor half so sweet can be. Key phrases and concepts throughout the hymn include: * "Dying Lamb": A direct reference to Christ as the sacrificial lamb, taking away the sins of the world (John 1:29). * "Piercing grief," "bleeding wounds": Emphasizing the physical suffering of Christ. * "Purchas'd with Thy blood": Highlighting the preciousness and cost of salvation. * "King of kings," "glorious kingdom": Looking forward to Christ's ultimate triumph and reign. 5. **Impact and Legacy:** * **Widespread Use:** Despite Cennick's shift to the Moravians, his hymns (including this one) were widely adopted by other evangelical groups, including the Methodists. It appeared in early Methodist hymnals, often with minor alterations. * **Enduring Popularity:** "Thou Great Redeemer, Dying Lamb" became a foundational hymn for many Protestant denominations, particularly those in the Wesleyan-Arminian tradition, due to its clear articulation of the atonement and its passionate, devotional tone. * **A Classic of Christology:** It remains a powerful example of 18th-century hymnody that focused unequivocally on the person and work of Jesus Christ, particularly His role as the suffering servant and triumphant Lord. In essence, "Thou Great Redeemer, Dying Lamb" is a spiritual treasure from the heart of the 18th-century revival, penned by a complex figure, and reflecting a deep theological commitment to the saving power of Christ's sacrifice.
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