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Sing Praise To God Who Reigns Above

Verse 1

SING praise to God who reigns above, The God of all creation, The God of power, the God of love, The God of our salvation; With healing balm my soul he fills, And every faithless murmur stills: To God all praise and glory.

Verse 2

What God’s almighty power hath made, His gracious mercy keepeth; By morning glow or evening shade His watchful eye ne’er sleepeth; Within the kingdom of His might, Lo! all is just and all is right: To God all praise and glory.

Verse 3

The Lord is never far away, but, Through all grief distressing, An ever-present help and stay, our peace and joy and blessing; As with a mother’s tender hand, He leads his own, his chosen band: To God all praise and glory.

Verse 4

Thus all my gladsome way along I sing aloud thy praises, That men may hear the grateful song My voice unwearied raises; Be joyful in the Lord, my heart; Both soul and body bear your part: To God all praise and glory. Amen.

Background: Sing Praise To God Who Reigns Above

The hymn "Sing Praise to God Who Reigns Above" has a rich history, originating from Germany and becoming a beloved hymn in the English-speaking world through a significant translation. Here's a breakdown of its history: 1. **Original German Hymn:** * **Title:** **"Sei Lob und Ehr dem höchsten Gut"** (meaning "Be Praise and Honor to the Highest Good") * **Author:** **Johann Jakob Schütz** (1640–1690) * **Date:** 1675 * **Context:** Schütz was a German jurist and a prominent figure in the early Pietist movement. Pietism emphasized personal devotion, deep spiritual experience, and practical holiness. His hymns often reflected this focus on a personal relationship with God, trust in His providence, and joyful praise. "Sei Lob und Ehr" is deeply expressive of gratitude for God's goodness, creation, and unwavering care. It's often associated with themes of trust, dependence, and praise for God's benevolence in all circumstances. 2. **English Translation:** * **Translator:** **Frances Elizabeth Cox** (1812–1890) * **Date:** 1864 * **Publication:** Cox's translation first appeared in her collection *Hymns from the German*, published in London in 1864. * **The Line "Sing Praise to God Who Reigns Above":** It's important to note that while "Sing Praise to God Who Reigns Above" is a very common opening line and title for the hymn in English, it's often a slightly adapted version or a popular variant of Cox's translation. Her original translation often began with lines such as "Sing praise and thanks, our God, to thee," or "Sing praise and thanks, and blessing." However, the spirit and content are firmly rooted in her work. The popularity of the "Sing Praise to God Who Reigns Above" phrasing is likely due to its directness and poetic flow. 3. **Melodies/Tunes:** The hymn is most commonly sung to one of two tunes: * **"MIT FREUDEN ZART"**: This is a sturdy and joyful tune of Bohemian Brethren origin, first appearing in print in the *Kirchengeseng* of Michael Weisse (1531). It's a popular choice for its strong, uplifting character. * **"GOTT DES HIMMELS"**: This tune appeared in the *Geistreiches Gesangbuch* of J. A. Freylinghausen (Halle, 1704). It's also a strong, reverent melody that complements the hymn's text well. 4. **Enduring Appeal:** "Sing Praise to God Who Reigns Above" has remained popular for centuries due to several factors: * **Universal Themes:** Its message of praise, gratitude, and trust in God's goodness transcends denominational boundaries. * **Poetic Language:** Both Schütz's original and Cox's translation possess a beautiful, reverent quality. * **Strong Melodies:** The associated tunes are memorable and suitable for congregational singing. * **Comfort and Assurance:** The hymn provides a powerful affirmation of faith, reminding believers of God's constant care and the reason for continual praise. In summary, "Sing Praise to God Who Reigns Above" is the widely beloved English version of Johann Jakob Schütz's 1675 German hymn "Sei Lob und Ehr dem höchsten Gut," brought to the English-speaking world through the translation work of Frances Elizabeth Cox in 1864. It continues to be a cornerstone hymn of praise in churches worldwide.
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