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Hark Hark My Soul Angelic Songs Are

Chorus

Angels of Jesus, angels of light, Singing to welcome the pilgrims of the night!

Verse 1

HARK! hark, my soul! Angelic songs are swelling O’er earth’s green fields and Ocean’s wave-beat shore: How sweet the truth those blessèd strains are telling Of that new life when sin shall be no more!

Verse 2

Onward we go; for still we hear them singing: Come, weary souls, for Jesus bids you come; And through the dark, its echoes sweetly ringing, The music of the gospel leads us home.

Verse 3

Far, far away, like bells at evening pealing, The voice of Jesus sounds o’er land and sea, And laden souls, by thousands meekly stealing, Kind Shepherd, turn their weary steps to Thee.

Verse 4

Rest comes at length; though life be long and dreary, The day must dawn, and darksome night be past; Faith’s journeys end in welcome to the weary, And heaven, the heart’s true home, will come at last.

Verse 5

Angels, sing on, your faithful watches keeping; Sing us sweet fragments of the songs above, Till morning’s joy shall end the night of weeping, And life’s long shadows break in cloudless love.

Background: Hark Hark My Soul Angelic Songs Are

The beloved hymn **"Hark, Hark, My Soul! Angelic Songs Are Swelling"** has a rich history tied to a prominent Victorian-era figure and a memorable melody. Here's a breakdown of its origins: 1. **The Author (Lyrics): Frederick William Faber (1814-1863)** * **Background:** Faber was an Anglican priest who famously converted to Catholicism in 1845, following the lead of John Henry Newman. He later became an Oratorian priest and founded the London Oratory. * **Hymnody:** Faber was a prolific hymn writer, known for his deeply devotional and often sentimental hymns, many of which became popular in both Catholic and Protestant traditions. His hymns often focused on themes of heaven, God's mercy, and the beauty of faith. * **Publication:** "Hark, Hark, My Soul!" was first published in Faber's collection **"Jesus and Mary; or, Catholic Hymns for all the Feasts of the Year" in 1849**. * **Original Title:** Interestingly, Faber titled the poem **"The Pilgrims of the Night,"** a name that would later connect beautifully with the most famous tune. 2. **The Most Famous Tune (Composer): Henry Smart (1813-1879)** * **Background:** Henry Smart was an English organist and composer, known for his sacred music, including several popular hymn tunes. * **Tune Name:** Smart composed the tune specifically for Faber's text in **1867** (four years after Faber's death) and fittingly named it **"PILGRIMS."** * **Impact of the Tune:** Smart's melody is a significant reason for the hymn's enduring popularity. Its soaring, anthemic quality perfectly complements Faber's evocative words about angels and the journey to heaven, making it instantly recognizable and deeply moving. 3. **Themes and Impact:** * **Yearning for Heaven:** The hymn expresses a profound longing for the peace and joy of heaven, with angels guiding and comforting the soul on its earthly pilgrimage. It paints a vivid picture of the celestial welcome awaiting the faithful. * **Victorian Sensibility:** It captures a common Victorian spiritual sentiment—a romanticized view of heaven, angels, and the emotional expression of faith. * **Wide Popularity:** Despite its Catholic origin, the hymn quickly transcended denominational boundaries and found a place in countless Protestant hymnals. It remains a staple in many churches, often sung at funerals, confirmations, or services celebrating eternal life. * **Enduring Legacy:** The combination of Faber's hopeful, poetic lyrics and Smart's majestic, memorable tune created a classic hymn that continues to resonate with believers across the world, offering comfort, inspiration, and a vision of divine beauty. In essence, "Hark, Hark, My Soul!" is a beautiful collaboration across time: Faber's words, imbued with his deep faith and longing for the divine, found their perfect musical partner in Smart's "PILGRIMS" tune, cementing its place as one of the most cherished hymns in Christian worship.
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