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Christ The Lord Is Risen To Day Hallelujah

Verse 1

CHRIST the Lord is risen to-day; Hallelujah! Sons of men and angels say: Hallelujah! Raise your joys and triumphs high: Hallelujah! Sing, ye heavens, thou earth reply: Hallelujah!

Verse 2

Love’s redeeming work is done, Fought the fight, the battle won,: Vain the stone, the watch, the seal; Christ hath burst the gates of hell:

Verse 3

Lives again our glorious King; Where, O death, is now thy sting? Once he died our souls to save: Where’s thy victory, boasting grave?

Verse 4

Soar we now where Christ hath led, Following our exalted Head: Made like Him, like Him we rise; Ours the cross, the grave, the skies:

Verse 5

King of glory! soul of bliss! Everlasting life is this, Thee to know, Thy power to prove, Thus to sing, and thus to love:

Background: Christ The Lord Is Risen To Day Hallelujah

The beloved Easter hymn "Christ the Lord Is Risen Today, Hallelujah!" has a fascinating and somewhat complex history, being a blend of ancient themes, specific early 18th-century publication, and the refining touch of one of hymnody's greatest figures. Here's a breakdown of its history: 1. **The Tune and Earliest Known Text (1708):** * The distinctive, joyous tune, often simply called **"Easter Hymn"** (or sometimes "Maccabaeus" when used with other texts), first appeared in a collection called **"Lyra Davidica"** published in London in **1708**. * Accompanying this tune in "Lyra Davidica" was a hymn text that began: **"Jesus Christ is Risen To Day. Hallelujah!"** This earlier version, though very similar, is not identical to the most common version we sing today. It had the same structure, with "Hallelujah!" appended to each line. * The authorship of both the tune and this initial text in "Lyra Davidica" is anonymous or unknown. Some scholars suggest the tune may have roots in earlier folk melodies or even a Latin sequence like "Victimae Paschali Laudes," but its first published appearance in this specific form is 1708. 2. **Charles Wesley's Contribution (1739):** * **Charles Wesley** (1707-1788), the prolific Methodist hymn writer, encountered this hymn and tune. He was known for taking existing melodies or themes and writing new, often more polished and theologically rich, texts for them. * In **1739**, Wesley published his own version of the hymn in his collection **"Hymns and Sacred Poems."** His version typically began with **"Jesus Christ is risen today, Hallelujah!"** * Wesley's genius lay in his poetic skill and his ability to encapsulate deep theological truths in accessible language. His version often included stanzas like "The King of Glory, King of Might, / And King of Life, and Lord of Light," which deepened the hymn's impact. 3. **The Blending and Evolution:** * Over time, the hymn as we commonly sing it today became a **composite**. It often combines the popular tune from "Lyra Davidica" with stanzas drawing from both the "Lyra Davidica" original text and Charles Wesley's revised version, as well as later adaptations by various hymnal editors. * The specific opening line "Christ the Lord Is Risen Today" is also a common variant, often preferred in Anglican and other Protestant traditions, alongside "Jesus Christ Is Risen Today." * The continuous repetition of "Hallelujah!" (derived from the Hebrew "Halleluyah," meaning "Praise ye the Lord!") is a direct link to ancient Christian tradition, especially the joyful shouts of Easter praise that replaced the somber Lenten "Alleluia" fast. **Why it Endures:** * **Jubilant Melody:** The tune is irresistibly bright, triumphant, and easy to sing, perfectly capturing the joy of Easter. * **Powerful Message:** It unequivocally proclaims the central tenet of Christian faith: the resurrection of Jesus Christ. * **Historical Roots:** Its blend of early English hymnody with the masterful touch of Charles Wesley gives it a rich heritage. * **Widespread Adoption:** It quickly became, and remains, a staple in countless hymnals across almost all Christian denominations worldwide, a universal anthem of resurrection joy. In summary, "Christ the Lord Is Risen Today, Hallelujah!" is a glorious collaboration across time, marrying an anonymous early 18th-century tune and text with the poetic and theological depth of Charles Wesley, all underpinned by an ancient cry of praise.
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