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And Let Our Bodies Part To Different

Verse 1

AND let our bodies part, To different climes repair; Inseparably joined in heart The friends of Jesus are.

Verse 2

Jesus, the corner-stone, Did first our hearts unite, And still he keeps our spirits one, Who walk with him in white.

Verse 3

O let us still proceed In Jesu’s work below; And, following our triumphant Head, To farther conquests go.

Verse 4

The vineyard of their Lord Before His labourers lies; And lo! we see the vast reward Which waits us in the skies.

Verse 5

O let our heart and mind Continually ascend, That haven of repose to find Where all our labours end:

Verse 6

Where all our toils are o’er, Our suffering and our pain! Who meet on that eternal shore, Shall never part again.

Verse 7

O happy, happy place, Where saints and angels meet, There we shall see each other’s face, And all our brethren greet.

Verse 8

The church of the first-born; We shall with them be blest, And, crowned with endless joy, return To our eternal rest.

Background: And Let Our Bodies Part To Different

The phrase "let our bodies part to different hymn" is a line from the iconic song **"Hallelujah" by Leonard Cohen**. Let's break down its history and meaning: ## History: 1. **Origin (1984):** The song "Hallelujah" was written by Leonard Cohen and first released on his 1984 album "Various Positions." Cohen famously spent years writing and rewriting the song, reportedly crafting dozens, if not hundreds, of verses before settling on the final versions. 2. **Initial Reception:** The album "Various Positions" was initially rejected by Cohen's American record label, Columbia, who famously told him, "Leonard, we know you're great, but we don't know if you're good." Consequently, it was first released in Europe. "Hallelujah" itself was not an immediate commercial hit. 3. **Rise to Fame:** The song's true global popularity exploded in the 1990s through various cover versions. * **John Cale's Cover (1991):** Cale recorded a version for a Cohen tribute album, using some of the verses Cohen performed live that weren't on the original album. This version significantly expanded the song's reach. * **Jeff Buckley's Cover (1994):** Buckley's melancholic and haunting rendition, largely based on Cale's arrangement, appeared on his album "Grace." This version is often credited with introducing "Hallelujah" to a younger generation and cementing its status as a modern classic. * **Further Popularity:** Since then, countless artists have covered "Hallelujah," and it has been featured in numerous films ("Shrek" being a notable example), TV shows, and memorial services, making it one of the most recognized and beloved songs of the past few decades. ## Meaning of "Let Our Bodies Part to Different Hymn": To understand this line, it's essential to consider the broader themes of "Hallelujah," which explores the complexities of faith, doubt, love, loss, sex, and human relationships – often finding a "broken" or "cold" beauty in imperfection and struggle. **"Let our bodies part to different hymn"** suggests: 1. **End of a Shared Journey:** * **"Bodies part":** This signifies a physical and intimate separation, often at the end of a deep relationship (romantic, spiritual, or a close partnership). It's the moment two individuals physically move away from each other, either through death, divorce, or simply the dissolution of a close bond. * **"To different hymn":** This is the core of the metaphor. A "hymn" represents a sacred song, a guiding principle, a fundamental belief system, a life's purpose, or a spiritual path. If two people are now parting "to different hymns," it means their core values, their ultimate destinations, their beliefs about life, or their personal truths have diverged so profoundly that they can no longer walk the same path or share the same guiding song. 2. **Irreconcilable Differences:** It implies that despite whatever intimacy or shared history existed, the individuals have grown into people who are fundamentally incompatible in their deepest beliefs or life directions. They no longer sing the same "song" of life. 3. **Acceptance and Bittersweetness:** While the line speaks of separation, in the context of Cohen's "Hallelujah," it often carries a sense of somber acceptance rather than anger. It acknowledges the painful reality that not all connections are meant to last, and sometimes the most honest path is to recognize that individual destinies now follow separate "hymns." There can be a "hallelujah" found even in this brokenness or parting. In essence, the line beautifully and poetically describes the profound and often painful realization that two individuals, once perhaps united in spirit or purpose, have now reached a point where their fundamental beliefs, paths, or values are so divergent that they must go their separate ways.
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