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Love Divine All Loves Excelling

Verse 1

Love divine, all loves excelling, Joy of heaven to earth come down; Fix in us thy humble dwelling; All thy faithful mercies crown! Jesus, Thou art all compassion, Pure unbounded love Thou art; Visit us with Thy salvation; Enter every trembling heart.

Verse 2

Breathe, O breathe Thy loving Spirit, Into every troubled breast! Let us all in Thee inherit; Let us find that promised rest. Take away our bent to sinning; Alpha and Omega be; End of faith, as its Beginning, Set our hearts at liberty.

Verse 3

Come, Almighty to deliver, Let us all Thy grace receive; Suddenly return and never, Never more Thy temples leave. Thee we would be always blessing, Serve Thee as Thy hosts above, Pray and praise Thee without ceasing, Glory in Thy perfect love.

Verse 4

Finish, then, Thy new creation; Pure and spotless let us be. Let us see Thy great salvation Perfectly restored in Thee; Changed from glory into glory, 'Til in heaven we take our place, 'Til we cast our crowns before Thee, Lost in wonder, love, and praise.

Background: Love Divine All Loves Excelling

"Love Divine, All Loves Excelling" is one of the most beloved and enduring hymns in the English language, a masterpiece of Christian poetry and theology. Its history is deeply intertwined with the origins of Methodism and the spiritual revival of the 18th century. Here's a breakdown of its history: 1. **Author and Date of Origin:** * **Author:** **Charles Wesley** (1707–1788), the prolific hymn writer of the Methodist movement, brother of its founder John Wesley. * **Date:** It was first published in **1747** in a collection titled *Hymns for Those that Seek, and Those that Have Redemption in the Blood of Jesus Christ*. 2. **Theological Context and Influences:** * **Wesleyan Theology:** The hymn is a profound encapsulation of core Wesleyan theological doctrines: * **Divine Love (Agape):** It celebrates God's unconditional, self-giving love as the source of all blessings and the ultimate goal for humanity. * **Christian Perfection/Entire Sanctification:** The climax of the hymn, particularly in the third and fourth stanzas, speaks of being "changed from glory into glory," "losing all my will in Thine," and "being lost in wonder, love, and praise." This refers to the Wesleyan belief that believers can attain a state of perfect love for God and neighbor in this life. * **Assurance of Salvation:** The joy and peace that come from experiencing God's transforming love. * **New Creation:** The idea of spiritual regeneration and transformation into Christlikeness. * **Literary Influence:** The structure and meter of the first stanza are often noted to echo John Dryden's "Song for St. Cecilia's Day" (1687), particularly its opening lines. Wesley, a highly educated poet, would have been familiar with such works. 3. **Original Text and Themes:** The hymn, as originally written, consists of four stanzas, each an eight-line strophe in trochaic tetrameter. * **Stanza 1:** An invocation to "Love Divine," asking it to descend to earth, bringing "joy of heaven" and "Fix in us Thy humble dwelling." * **Stanza 2:** Focuses on God's mercy and forgiveness, asking Him to "Take away our bent to sinning" and "End of faith, as its beginning, Set our hearts at liberty." * **Stanza 3:** Emphasizes transformation and renewal, "Finishing Thy new creation," and seeking "that second rest" (referring to sanctification as a deeper rest than initial justification). * **Stanza 4:** The pinnacle of the hymn, desiring to be fully absorbed in God's love, to be "changed from glory into glory" and to "cast our crowns before Thee," culminating in "lost in wonder, love, and praise." 4. **Musical Settings:** Charles Wesley rarely specified tunes for his hymns; they were often sung to popular secular melodies or existing psalm tunes of the day. Over time, "Love Divine" has been paired with numerous melodies, but several stand out: * **HYFRYDOL:** (Welsh for "agreeable" or "pleasant"). Composed by Rowland Hugh Prichard (1870), this Welsh tune is perhaps the most widely associated with "Love Divine" in English-speaking churches. Its flowing, uplifting melody perfectly complements Wesley's text. * **BEECHER:** Composed by John Zundel (1870), an organist at Plymouth Church, Brooklyn (where Henry Ward Beecher preached). This tune is particularly popular in North America. * **WESTMINSTER ABBEY:** A tune often attributed to Henry Purcell (late 17th century), sometimes adapted. * **STUTTGART:** A German tune (1815) also used for this hymn. 5. **Impact and Legacy:** * **"King of Hymns":** John Wesley himself, who edited his brother's hymns, considered "Love Divine" to be one of the greatest hymns ever written. It is often called the "king of hymns" among Methodists. * **Ecumenical Appeal:** Despite its deeply Wesleyan roots, the hymn's themes of divine love, grace, and human transformation transcend denominational boundaries. It is found in nearly every major Christian hymnal across Protestant and Catholic traditions. * **Enduring Popularity:** Its poetic beauty, theological depth, and powerful expression of spiritual longing and fulfillment have ensured its place as one of the most frequently sung and cherished hymns worldwide. * **Personal Devotion:** The hymn continues to inspire personal reflection, communal worship, and a deep sense of God's presence and transforming power. In summary, "Love Divine, All Loves Excelling" is not just a hymn but a theological treatise in verse, a passionate prayer, and a testament to Charles Wesley's unparalleled genius in articulating the core tenets of Christian faith and experience. Its journey from an 18th-century Methodist revival to a global hymn of the church speaks to its timeless message of God's overwhelming love.
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